Reviewing The Endgame

The Marvel Cinematic Universe (MCU) started in the most inauspicious of ways. In Iron Man’s post credit’s scene, Nick Fury informed Tony Stark about the Avenger Initiative. That encounter led to the birth of the MCU.

That was 11 years ago —- 11 years since Marvel Studios teased the world about the possibility of creating an Avengers film.

Today, that possibility has not only become real but also evolved into a juggernaut. The Avengers have not only starred in one, but also in three movies. Marvel Studios has continued to hit home runs.

But, every story should have an end. Even Marvel Studios knows this. With this in mind, the Kevin Feige led company offers its final film — one that promises to conclude a storyline that encompasses 21 separate motion pictures. Playing in theaters this week is Marvel’s Avengers: Endgame.

The Story

Note: If you don’t want to read a summary of the film’s plot, then feel free to move on to the next part.

Avengers: Endgame (Endgame for brevity) starts with Tony Stark (together with Nebula) drifting in space. It has been a few weeks since the “The Snap,” an event in which Thanos, using the Infinity Gauntlet, committed intergalactic genocide by reducing half of the universe’s population into ash. So, with the ship damaged beyond repair, Stark succumbs to the notion that he would die soon.

Fate, however, intervenes. Captain Marvel finds Stark’s ship and brings him back to the Avengers headquarters.

The remaining Avengers speak with both Stark and Nebula. Stark, still in despair, rants and gets angry. He bewails his chance of defeating Thanos.

The team’s remaining members then try to placate Stark. They have him sedated to calm down. It is at this point when Nebula mentions that he knows where Thanos is hiding. The Avengers, reduced to a handful, decide to go after the Mad Titan.

The Avengers eventually find Thanos, but they are too late. The Mad Titan “used the stones to destroy the stones.” The Earth’s Mightiest heroes were stunned, and before they could do anything else, Thor severs Thanos’ head. The Avengers move on.

Five years after the heroes’ assault on Thanos, Scott Lang escapes the Quantum Realm. He then tries to make sense of the world and learns in the process about what has transpired in his absence. This prompts him to go to the Avengers headquarters.

The Plan

Lang then informs Steve Rogers and Natasha Romanov that he was trapped in the Quantum Realm when Thanos decimated the universe. The Snap did not affect him. This gave Lang the idea of using the Quantum Realm to facilitate time travel and commit a “time heist,” i.e., go back to specific points in the past, e.g., Battle of New Your in Avengers’ 1, and collect the Infinity Stones to bring everyone back into existence.

Rogers, Lang, and Romanov however realized that they do not have the brainpower to validate their theory. They decide to reach out to Tony Stark.

Stark, with a family of his own, turns them down. Rogers, Lang, and Romanov go to the next “big brain” that they know: Bruce Banner.

Banner, now living as Professor Hulk (a synthesis of Hulk’s brawn and Banner’s brain), agrees to help his teammates and creates a time machine. It works, but is far from perfect. Stark, after reconsidering his decision, helps out.  

So, the Avengers go back in time and get the gems. They create their own gauntlet. But, unbeknown to them, the Thanos from 2014 discovers their plan and follows them to the present to get the Infinity Stones.

Meanwhile, the Avengers debate as to who should put on the gauntlet and make the snap. Thor volunteers, but the team says no given his fragile emotional state. Banner then states that it has to be him; with his Hulk body, he is the only one that can probably survive the energy that would emanate from the stones.

Banner then snaps his fingers; everything seemingly is back to normal until Thanos makes a surprise attack. The Avengers fight back, but this time not just with a complete roster, but also with added support, or should I say an army of their own. A free-for-all ensues; both sides battle.

With the results uncertain, Stark asks reassurance from Doctor Strange that their only gambit — one out 14 million will work. Strange says: “if I tell you what happens, it won’t happen.” The battle rages on until the film reaches its most dramatic scene.

The Avengers try to keep the Infinity Gauntlet away from Thanos, but the Mad Titan still finds his way to it. The final and only obstacle left is Tony Stark. Thanos and Stark fight, with the latter snatching the glove from the former. Stark, with the gauntlet in his possession, snaps his fingers and says the now iconic words: “I am Iron Man.” In an instant, the invading horde, including Thanos, turns into ash.

The heroic move however came at a cost. Stark couldn’t handle the stones’ collective energy. He dies thereafter.

Staggering Scale

Before Endgame

Indeed, watching Endgame felt like there was so much was going on. That’s understandable given that the movie provides a conclusion to 21 films that preceded it. This also explains and justifies the reasoning behind Endgame’s three-hour long running time.

But, aside from Endgame’s scale and scope — which arguably is a first of its kind — the movie also made references or simulated past scenes in different Marvel films.

For instance, Endgame showed a similar elevator scene to that of Captain America: Winter Soldier. In Winter Soldier, Steve Rogers fought Hydra agents will going down the lift. In Endgame, the same villains surrounded the Captain, but this time he did not punch his way out. He tricked his way out by saying “Hail Hydra.”

Another example is Endgame’s funeral scene, which showcased Tony Stark’s old arc reactor. That in a way paid homage to the film that started it all for the MCU: Iron Man.

The Characters Make The Movie

But, regardless of Endgame’s scope, the movie works because of its characters. Sure, the film was funny; it was action-packed. The battle scenes were memorable — especially the last one. It may go down as one of the best all-out confrontation between two sides executed in a motion picture. It is, however, Endgame’s personas that ultimately pull in the viewers.

The original six Avengers, i.e., Captain America, Iron Man, Thor, The Hulk, Black Widow, and Hawkeye, acted as emotional anchors. The pain and suffering of these six made the film relatable to the moviegoers. Their melancholy gave the motion picture a sense of realism. That was important given the film’s nature.

Jim’ Starlin’s Creation: The Basis for the MCU’s Last Two Movies

Do note that both the Avengers: Infinity War and Avengers: Endgame storylines were derived from Marvel Comics’ Infinity Gauntlet tale published in 1991. And in that narrative, other characters participated, e.g., The Silver Surfer, Dr. Doom, The Fantastic Four, The X-Men, and Adam Warlock to name a few. Aside from them, cosmic beings formed part of the story too, e.g., Lady Death, Mephisto, Galactus, Epoch, The Living Tribunal, and etc. Try reading the comic book version and you’ll find out about its trippy nature. You may even find the same impossible to present in celluloid format.

So, instead of being faithful to the 1991 comic book storyline, Joe and Anthony Russo (Endgame’s directors) refocused the attention to the six original Avengers. They watered down the original tale’s metaphysical components and instead concentrated on emotions, i.e., the Avengers’ sense of loss and despair. This made the story more relatable. Marvel Studios not only made a practical choice but also a wise one.

The Thespians

Endgame also owes its success to its roster of actors. But, some individual performances stood out more.

Jeremy Renner (as Ronin/Hawkeye) made up for lost time. Chris Evans, as always, was excellent as Captain America. Brie Larson owns the screen whenever she has a scene. Tom Holland, in his few takes, steals the spotlight. There is of course Paul Rudd, whose role is probably the most human of all and provides needed laughter and comedy.

The Indispensable RDJ

Due credit, however, should be given to Robert Downey Jr. (RDJ), the franchise’s best actor. He once again provided indispensable gravitas to the motion picture. Without RDJ, the Avengers would not have soared.

It Ain’t All Good

The film inasmuch as it deserves praise falls short in some areas. It has plot holes. Case in point is when Thor took Mjolnir when he went to Asgard.

If Thor took his hammer back to the present, then what did the Thor of that that time use when Malekith attacked?

How about the Soul Stone? Could it still be returned to Voramir? Didn’t the Red Skull say that what has been done there couldn’t be undone?

How did Steve Rogers become old? Doesn’t the super-soldier serum slow down the aging process?

The show runners hopefully can answer these questions in time.

What Happens Now?

But, the more important question is what happens now? With Iron Man dying in the film, then that means there won’t be any Robert Downey Jr. appearances in the MCU for the foreseeable future. What’s Marvel Studios next play? Who will carry the torch?

Marvel, as reports indicate, will offer new content. It will present some Avengers, like Wanda, Vision, and Hawkeye, on TV via Disney+. Marvel Studios will also feature new characters onto the silver screen with the Eternals and Shang-Chi.

Upcoming

Now, as for those that will carry the MCU torch, Brie Larson, Tom Holland and Chadwick Boseman are the probably candidates.

But, whether the MCU can find someone to take Downey’s place remains to be seen. I won’t however fret that much, because as long as Kevin Feige is at the helm, the MCU is in good hands. If Downey is nearly indispensable, then everything falls apart without Feige.

Verdict

Avengers: Endgame is one heck of a film. The movie’s story, scale, and scope, probably a first in Hollywood, are all impressive. The actors performed in an excellent manner. The action was first rate. For these reasons, the motion picture probably may make some noise during next year’s awards circuit and possibly in the Oscar awards, too.

But, will Endgame become a classic? Now, that’s a question mark.

Even if it isn’t immortalized and glorified in the pantheon of best films ever made, Endgame rightfully joins the discussion, along with The Dark Knight and Black Panther, as being the best comic book movie of all-time.

Rating

1 – Don’t bother

2 – Wait for it on Netflix or HBO

3 – It’s ok. Watch in the theater if you’re not doing anything else

4 – Entertaining, worth every centavo, but not a can’t miss 

5 – Go get your ass to the theater. Now!

This one merits a 5 for filmmaking never before witnessed in recent memory.

What Marvel Teaches About Strategy

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Robert Downey Jr. (Iron Man), Tom Holland (Spider-Man), Chris Pratt (Star-Lord)

The Marvel Cinematic Universe, which culminates in Avengers: Infinity war, is an excellent case study in corporate strategy. Under the leadership of Marvel Studios’s head honcho Kevin Feige, Marvel changed the comic book movie game by producing interconnected films spanning 10 years. Quite unheard of prior to 2008’s Iron Man.

And while the journey wasn’t easy due to the planning, logistics, and financing that had to be employed, the end result is incontestable: viewers get to watch various characters from different movies eventually converge in one storyline. That in itself is unique and hard to copy. Just ask D.C. Comics.

So, if the metric of a successful strategy is its uniqueness or the futility of copying it, then Marvel without a doubt gets the nod.So to those in charge of creating strategies are reminded that their plans must not only veer away from the trodden path but also ensure that the road they have taken is hard to traverse.
*For the image above, credit goes to its owner.

Thor Flies Higher

 

What do the Godfather II, The Dark Knight, and Toy Story II have in common? They are all movie sequels arguably considered better than their respective predecessors. It is in this context that Thor: The Dark World must be viewed.

In Thor: The Dark World, everything is bigger. The battle scenes are larger in scale. They are in fact reminiscent of the skirmishes in Peter Jackson’s Lord of the Rings trilogy. The action also this time isn’t limited to the ground. In the movie, a lot of spacecraft were used. This again reminds the viewer of the space clashes in the original Star Wars series. All these improvements show that Marvel made an effort to vastly upgrade the second Thor movie.

But, in spite of the tweaks and developments, one thing remains the same. It is the role of family.

In Thor: The Dark World, the Thunder God has to face complex family issues. He will lose a love one, get disowned by his father, and deal with a brother that he cannot not trust. All these provide substance to the tale. Moviegoers after all want their films to have more than special effects. They yearn for a viable story to absorb and follow.

Another noteworthy facet of the story is its humor. That made things not boring, because if there wasn’t any comedy then the viewers would have been bored by the distressing and dark theme of the movie.

At this point, Thor: The Dark World will be released in the U.S. soon. Early reviews show that critics will like it better than its forerunner. The cumulative rating may change, but in my book it is evidently better than by leaps and bounds over the first Thor film. That shows Marvel isn’t resting on its laurels. And that’s tremendously encouraging for fanboys like myself.

 

 

*For the poster above, credit goes to its owner

The Wolverine

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The mutant with the Adamantium laced skeleton and accelerated healing factor is back. Playing in theaters this week is The Wolverine.

In the movie, Mr. Hugh Jackman still plays the titular role of Wolverine/Logan.  Having gone through the experience of filming Les Miserables, Mr. Jackman brings more depth, gravitas, and range to his role. This time, Wolverine isn’t just a snarling and cigar chomping killing machine. He is presented as a man/mutant trying to forget or run away from his past or problems.

The rest of the cast, however, does not matter. They fade into the background since none of them make an impression. Even Tao Okamoto, the actress who plays Mariko, does not perform up to par. She wasted her opportunity as Logan’s love interest and failed to capitalize on having much screen time. Her acting left much — extremely much — to be desired.

The special effects, of course, are impressive. If there is one notable feature of the movie, then it’s the CGI. The effects made the fight scenes more pulsating. Another noteworthy aspect is the film’s varied locations. Making some parts of the motion picture in Japan gave moviegoers virtually another world to experience. So unlike its predecessor, i.e., X-Men Origins – Wolverine, filmed only in Australia and New Zealand, The Wolverine went to Japan and Australia thereby giving it a more diverse feel and look.

At the end, it’s not the Adamantium claws, bloody fight scenes, or mesmerizing locations that make the movie enticing. It’s actually the character of Wolverine himself. For all his strength and powers, Logan looks weak and helpless when contending with his nightmares and fears. This shows that heroes possessing godlike abilities are no different from you and me. And those who persevere, trudge on, and struggle in spite of the odds are the true heroes.

 

* The poster above comes from http://bigfanboy.com/wp/?p=18147

 

Death of a Wall-Crawler

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The image comes from ibnlive.com

Spider-Man dies in issue no. 700 of Marvel’s comic book bearing the same namesake. Peter Parker, based on that edition, meets his maker.

Web-head fans, however, should not fret since their favorite web-slinger will still patrol New York City. But, this time it won’t be Peter Parker donning the costume; it will be his arch-nemesis Dr. Otto Octavius. Sounds confusing? It is actually. So to further understand the situation, cnn.com and ibnlive.com explain how all these transpired.

So for now, Peter Parker is dead. But, whether this will remain final remains to be seen. After all, Superman returned. Bruce Wayne came back. And Captain America turned out not to be dead. Suffice it to say, in the comic book world, death has no permanence.

So until Peter Parker comes back to life, in one way or another, Marvel will be celebrating the death of one its iconic heroes. The company will be rejoicing due to the amount of revenue that it will be generating from Mr. Parker’s demise. In this case Spider-Man saves the day twice. He ultimately saves Doctor Octavius and revives Marvel’s print publishing business. Now, that’s what you call a hero.

Iron Man 3 Trailer: Tony’s Life Turns Topsy-turvy

“Lesson number 1: Heroes, there’s no such thing.”

That’s the line that resonates in the recently released Iron Man 3 trailer. From the looks of things, the franchise’s new director, Mr. Shane Black, opted for a darker tone and mood. So unlike Mr. Jon Favreau who made the first two Iron Man films light and fun, the third installment seems to be more serious and takes the character of Tony Stark to a different direction altogether.

This time Tony is set to lose his riches, reputation, and other parts of his life that allow him to be flamboyant, arrogant, and self-absorbed. Simply put, in Iron Man 3 Tony Stark’s life will turn upside down. What makes it worse, the Mandarin, like any Marvel villain, probably has a grander scheme in mind while he simultaneously makes Tony’s life a living hell. Given this, Tony Stark or Iron Man, whatever the case may be, will  have to step up and prove that there are indeed heroes who can rise no matter what.

For those who want to view the trailer, it is shown below.