The first scenes show death. A dragon, with wings that span forever and teeth sharper than razors, swoops from above and spews fire from its mouth. The village that incurs its ire is decimated.
The ensuing inferno kills most of the community’s inhabitants. The few that survive wish they are dead. The cries of the dying torture them; the smell of burned flesh permeates their nostrils.
The dragon, however, isn’t satisfied. It boasts that it will end the existence of the town. So, it attacks again and blasts the hamlet with hellfire. The casualties double in an instant; from a thousand dwellers, only hundreds are left.
But, hope has not abandoned the village; it didn’t cower at the sight of the winged lizard. When all seemed lost, a bowman musters enough courage and shoots a metal arrow to the belly of the beast. The dragon cringes, screams, and squirms; for the first time, it feels piercing pain.
The creature battles some more and tries to deny the inevitable. But, in the end, the monster succumbs. Life leaves the winged horror; death claims the beast. The dragon plummets to the ground with a thundering thud.
Whew! Quite the opening, right? If the film, i.e., The Hobbit: The Battle of the Five Armies, at this point is this good then the rest must be better. This is a reasonable presumption.
But, after a few more scenes, the presumption proved false. The only impressive part of the movie, as it turned out, were its first few minutes. If the initial sequences flew right off the screen, the rest of the film descended. The beginning captured my interest; the middle and end barely aroused any feeling in me.
I was disappointed because I felt I was watching a rehash of sorts. Mr. Peter Jackson did not surprise or offer anything new in terms of style or method. Watching The Hobbit: The Battle of the Five Armies looked like an imitation of Mr. Jackson’s Lord of the Rings (LOTR) movies. You know the Hobbit films and LOTR motion pictures are supposed to be from the same universe, but The Hobbit: The Battle of the Five Armies looked different; it felt like a knockoff. It wanted to emulate scale of the LOTR films, but in the end it fell short.
LOTR could never be replicated. Even Mr. Jackson, like what George Lucas learned when he directed his Star Wars prequels, could not top his earlier masterpiece. What he did in the LOTR motion pictures were almost revolutionary. In The Hobbit, his effort and output proved run-of-the-mill.
I also found The Hobbit less interesting because it lacked a substantial story. In fact, the plot of this movie could be encapsulated in one sentence: Smaug died; thus, the dwarves, men, elves, and orcs engaged in a free-for-all over Erebor.
The story’s deficiency, or lacked thereof, could be traced from the studio’s decision to make J.R.R. Tolkien’s The Hobbit into a three part extravaganza. This in turn led in making the story of the final act thin and shallow. With nothing more to say, the only task that remained to be done was to show how the five armies battled. That won’t do, especially for those looking for concrete and complete tales.
But, the film is not total loss. The fight sequences, The Hobbit: The Battle of the Five Armies reason for being, are thrilling. Though in some cases the stunts and fights can be a bit comedic, like when Legolas uses falling bricks in mid-air as stairs, in any case they are worth watching. Action junkies, especially those who patronize epic fantasy, won’t be disappointed.
The cinematography also is first rate. New Zealand again proved to be an indispensable part of the motion picture.
But, for me the redeemable feature of this movie is the lesson that it aims to teach: greed brings out the worst in men. So, people regardless of stature should take heed of this.
The Hobbit: The Battle of the Armies, in the end, is an average film. While it does not have a substantial story, it still has redeeming qualities. It may not be a masterpiece like its LOTR predecessors, but watching it won’t be a waste of time. Some parts of the film will awe; the rest won’t blow you away. The key therefore is to manage your expectations. Do that and you won’t regret seeing this film.